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・ Abbas Ka'bi
・ Abbas Kamandi
・ Abbas Kandi
・ Abbas Kandi, Ardabil
・ Abbas Kandi, Baba Jik
・ Abbas Kandi, Chaldoran-e Shomali
・ Abbas Kaoud
・ Abbas Katouzian
・ Abbas Kazmi
・ Abbas Khalaf
・ Abbas Khan
・ Abbas Khan Afridi
・ Abbas Khan-e Qareh Gol
・ Abbas Khattak
・ Abbas Khel Raghzai
Abbas Kiarostami
・ Abbas Kiarostami filmography
・ Abbas Kola
・ Abbas Kola, Babol
・ Abbas Kola, Chalus
・ Abbas Kola, Nur
・ Abbas Koty
・ Abbas Kubaff
・ Abbas Kuh
・ Abbas Mahdi
・ Abbas Maleki
・ Abbas Maroufi
・ Abbas Merdasi
・ Abbas Messaadi
・ Abbas Milani


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Abbas Kiarostami : ウィキペディア英語版
Abbas Kiarostami

Abbas Kiarostami ( ;〔(:ʔæbˌbɒːse kijɒːɾostæˈmi)〕 born 22 June 1940) is an Iranian film director, screenwriter, photographer and film producer. An active filmmaker since 1970, Kiarostami has been involved in over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–94), ''Close-Up'' (1990), ''Taste of Cherry'' (1997) – which was awarded the Palme d'Or at the Cannes Film Festival that year – and ''The Wind Will Carry Us'' (1999). In his recent works, ''Certified Copy'' (2010) and ''Like Someone in Love'' (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively.
Kiarostami has worked extensively as a screenwriter, film editor, art director and producer and has designed credit titles and publicity material. He is also a poet, photographer, painter, illustrator, and graphic designer. He is part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and includes pioneering directors such as Masoud Kimiai, Sohrab Shahid Saless, Dariush Mehrjui, Bahram Beyzai, Nasser Taghvai and Parviz Kimiavi. These filmmakers share many common techniques including the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues.
Kiarostami has a reputation for using child protagonists, for documentary-style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of contemporary Iranian poetry in the dialogue, titles, and themes of his films.
==Early life and background==

Kiarostami was born in Tehran. His first artistic experience was painting, which he continued into his late teens, winning a painting competition at the age of 18 shortly before he left home to study at the University of Tehran School of Fine Arts.〔 He majored in painting and graphic design, and supported his studies by working as a traffic policeman.
As a painter, designer, and illustrator, Kiarostami worked in advertising in the 1960s, designing posters and creating commercials. Between 1962 and 1966, he shot around 150 advertisements for Iranian television. In the late 1960s, he began creating credit titles for films (including ''Gheysar'' by Masoud Kimiai) and illustrating children's books.〔

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